The King of Our Age

A while back my husband and I got into a conversation about the iconic writers of different eras — the people where, if you can remember a single person who wrote in that time period, they’re the one you think of. Chaucer. Shakespeare. Austen. Dickens.

This led, of course, to us debating who from the current era might be That Writer two hundred years from now. It’s a mug’s game, of course, trying to predict who’s going to last; the field of literature is littered with names who were expected to be classics for the ages, many of whom are now utterly forgotten. But a mug’s game can still be fun to play, especially when you’re making idle conversation over dinner. :-)

The way I see it, the author in question is likely to exhibit some combination of four qualities:

  1. They’re popular (though not necessarily critically acclaimed just yet),
  2. They’re at least moderately prolific (no one-book wonders here),
  3. They’re working in a genre/medium/field that is especially characteristic of their era, and
  4. Their work reflects the social issues of their time.

(Notice I say nothing about quality in there. I do think that quality matters, but I also think our ability to judge what qualifies as quality, from the perspective of later generations, is deeply suspect.)

I said to my husband that I fully expect the writer of our age — defining “our age” as the late twentieth to early twenty-first century — to be someone in the field of speculative fiction, i.e. science fiction, fantasy, and/or supernatural horror. There has undeniably been a boom in that mode of storytelling in the last few decades; I suspect that, as a result, those works may be remembered for longer than many of the quietly mimetic tales of literary fiction. (In fact, if I’m being honest with myself, I suspect that the Writer of Our Age is more likely to be a movie director — Spielberg’s a good candidate — than anybody in prose fiction.)

Popular, prolific, working in spec fic, reflecting the social issues of our era . . . .

My money’s on Stephen King.

He’s already acquired a veneer of respectability that he sure as hell didn’t have a couple of decades ago. His works are being taught in college courses. He caters — I mean the word in a non-derogatory sense — to a broad audience, and generally writes about very ordinary blue-collar types, in a way that can be read as social commentary, whether it was intended as such or not. There are other authors who may be remembered, as much for their impact on the field as on their works (J.K. Rowling for the YA boom, George R.R. Martin for being the most famous epic fantasist since Tolkien, etc), but I don’t expect their work to be read much outside of specialized circles a hundred years from now. They’re probably the Christopher Marlowes of our era, doing some pioneering work, but generally only read by people who are exploring that genre in greater depth.

I’m curious whether other people agree with my assessment, though. Are there other authors you think are more likely to be remembered in the long term? If so, who and why?

Mr. Mystic’s Great Achievement

Had I been less efficient about the book-related post the other day, I could have bundled this into it — but that’s just as well, because I think some things deserve their own posts. :-)

HUGE congratulations to my friend Alyc Helms, who has just announced the sale of her first novel! I won’t go into the full saga of this book — Alyc herself does that quite well in the post — but I will say that I have the same kind of warm glow right now that I did when Mike Underwood sold his first book, only even more so. As she says over there, the two of us met on an archaeological dig in Wales, when I was writing Doppelganger. That Changeling game she ran to amuse us in the evenings? Led to me playing in the Changeling LARP in Bloomington, which led to me running Memento, which led to the Onyx Court series. (It may also lead to more fiction, if I end up rebuilding Ree’s story to become its own thing: Ree is the character I made for that game at the dig.) Alyc read the first draft of what eventually became Lies and Prophecy; she’s one of about four people in the world who can say that, and her enthusiasm over the years is part of what encouraged me keep working on that one. She has read more terrible drafts of my books than probably anybody, since I have a habit of flinging them at her when I get stuck and wailing “hellllllllllp, I can’t make it go.” So to have been around (and apparently useful) while she made her own journey from picking up a pen again to this kind of professional victory? Feels awesome.

Oh, and the book itself is pretty awesome, too. ;-) I’ll say more about it when it’s closer to the pub date, because there isn’t all that much use in raving about something you won’t be able to read until next year. But never fear! Raving is inevitable!

Congratulations to her once again, and I can’t wait to have The Dragons of Heaven on my shelves.

A Year in Pictures – Ceder in the Circle of Lebanon

Cedar in the Circle of Lebanon
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This work by http://www.swantower.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

I mentioned before that the “Circle of Lebanon” is named for the cedar tree atop its central structure; well, this is the tree. I would have loved to climb up there and sit beneath its branches, but somehow, I think our guide would have objected. :-P

Assorted book-type-news-things

In the order that they occur to me:

1) Michael R. Underwood’s The Younger Gods is out! Main character is a runaway from a family of evil cultists, has to try to stop them from kicking off the apocalypse. Mike is a friend, of course, but this one would sound good to me even if I weren’t biased. :-)

2) I’m starting to rack up some foreign sales for the Memoirs. So far it looks like you’ll be getting at least the first book in Thai, French, and Polish. I’m on the verge of completely outgrowing my brag shelf, where I keep one copy of every edition of my books: there are worse problems to have.

3) Speaking of my brag shelf, the Mythic Delirium anthology is also out! This has “The Wives of Paris” in it, among other things. You may recall this anthology as the one that got the excellent starred review from Publishers Weekly; well, now you can own your very own copy. :-)

4) Strange Horizons is currently holding its annual fund drive. There are prizes listed here, but it isn’t the full list yet; they’re adding stuff as the drive goes on. Two of the additions will be a signed pair of the UK trade paperbacks of A Natural History of Dragons and The Tropic of Serpents, and a signed ARC of the third book in the Memoirs of Lady Trent, Voyage of the Basilisk. If you want a crack at those, head on over and pledge some money!

5) I’ve got another ebook coming out next week, this one a collection of my dark fairy-tale retellings called Monstrous Beauty. You can pre-order it right now from Amazon or Kobo, or wait until next week and get it from Book View Cafe, Barnes and Noble, or iTunes. Just in time for Halloween!

A Year in Pictures – Grave Candles

Grave Candles
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This work by http://www.swantower.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

I don’t know the story behind it, but judging by what we saw in Poland, it’s a common tradition there to put candles in red vases and lay them on graves around Hallowe’en/All Souls Day. My husband got to see an amazing display of them in one of Kraków’s cemeteries at night; these are, of course, in Peksow Brzyzek, the cemetery we visited in Zakopane.

Kick their Starters (or Indie their GoGos)

<looks at subject line> Apparently I’m in a weird mood today. :-P

Found out recently that a friend of mine is running an IndieGoGo campaign to fund the post-production for a documentary on the Rocky Horror Picture Show phenomenon. Why the post-production only? Because they ran a Kickstarter to raise the money for the whole project, but so many of their pledges defaulted that although they officially made their goal and then some, they didn’t actually collect all the money they needed to finish the task. They’ve been traveling the country to film and interview the various casts, and the result is likely to be awesome . . . but they do need the rest of their funding. Since it’s an IndieGoGo flexible funding campaign, every bit of money you pledge will help — it isn’t an all-or-nothing deal.

And while I’m at it, I should mention that both the Not Our Kind and Daughters of Mercury campaigns are still running, if you haven’t checked them out already.

at the corner of Bourbon Street and Nostalgia Lane

The 20th anniversary HD remake of Gabriel Knight: Sins of the Fathers came out last week.

This is one of the few video game series I’ve ever really fallen in love with. It had drama! Character development! Random trivia about real-world history! My sister introduced me to it, and sat with me during my first playthrough, offering advice and possibly taking the controls from me when I couldn’t get past that one mummy in the mound. So, naturally, when I heard the HD remake was coming out, I a) bought her a copy as a gift and b) invited her over for a slumber party/playthrough evening.

First things first: the voices are different. Apparently they lost the original recordings in the intervening twenty years, and the result they got from stripping the audio out of the game files was not good enough. And I’m guessing they could no longer afford the services of Tim Curry and Mark Hamill. I was very apprehensive about this, because Tim Curry’s terrible Nawlins accent is such a memorable part of the game; what would it be like without him?

The answer is, much the same. They did an excellent job of casting voice actors who could match the sound of their predecessors. There were a few lines where I remembered the original intonation enough to cock my head at the difference, but the rest of the time, I forgot I was listening to a new voice. I’m sure that if I did a side-by-side comparison of the two, I would find places where the HD version is lacking, but it passes muster on its own — which is what really matters.

Things that are distinctly improved: the graphics! (Duh.) Holy crap, you can tell what things are. There are books in cases and bottles on shelves, rather than indistinct blobs on horizontal lines. Gram’s house has wallpaper! Rugs have patterns! It’s not the highest-quality graphics and animation — in particular, there’s the creepy thing where people’s mouths seem to be moving independently of their faces when they talk — but it’s a massive improvement over the old look. They’ve also changed up the gameplay a bit: the mime is still a pain in the ass, but getting past that one mummy just involves grasping the general principle of “you need to dodge,” rather than having to move to exactly the right spot, wait exactly the right amount of time, move again, wait again, and then finally break for the door. And the #@$@!!! beignet guy? IS GONE. Replaced by a much less Rube Goldberg-y solution to “how do I get into Mosely’s office?” (And a really creepy moment, too, which I don’t remember from the original.) There are a couple of new puzzles to balance out the simplification of the old ones: a lever puzzle in Magentia Moonbeam’s house that isn’t nearly as difficult as it might have been, a minor unlocking thing in the Gedde crypt.

Some of the changes are amusing. I opened the window in Schloss Ritter and was perplexed to see that the pile of snow had vanished, replaced by a puddle on the windowsill — until my sister pointed out that it’s late June and really, why was there ever snow there in the first place? Gerde no longer looks like she ought to be serving beer at Oktoberfest. Gabriel says “fuck” a few times, and I’m pretty damned sure that’s new. Other things I’m less sure of; weren’t you able to go to your grandmother’s house on Day One before? And you find the sketchbook there? I’m pretty sure the priest’s collar used to be in the vestry; possibly that got moved because the placement of hotspots would have made the door we think was the vestry too difficult to click on. And I wonder how much of the dialogue was changed, apart from Gabriel swearing. They’ve definitely altered the pronunciation of several of the voodoo-related terms (presumably to make them more accurate), and I think they may have added in some more context about things like the racial politics of Malia’s family being so influential in New Orleans.

Mostly it’s the same, though, with better graphics and a score that no longer sounds quite so MIDI. I’ll probably look at the original version again before I decide, but it’s entirely possible that this will become my preferred version to play. It’s nice to have the game look less primitive, and I will put up with a lot just to avoid that mummy and the stupid beignet guy. :-P

The real question is this: what now? Apparently Sierra was revived recently; they have a shiny website and everything, complete with what looks like a teaser for a new King’s Quest game. Will there be remakes of The Beast Within and Blood of the Sacred, Blood of the Damned? Redoing the former would be interesting, seeing as how they’d probably have to just scrap the FMV entirely and redo the entire thing as standard point-and-click, but you could probably rebuild the latter quite easily, with some off-the-shelf 3D engine that would blow the original one out of the water.

Or — dare I dream — might we finally get a fourth game?

I’m trying not to get my hopes up. But if this remake sells well . . . who knows? :-)

shoe shopping for the podiatrically challenged

I have bought a new dress for the World Fantasy banquet. I am sitting here trying to remember the last time I bought a dress that wasn’t a historical costume I paid somebody to sew for me.

I am failing.

As long as I’m on a roll of doing things I haven’t done in hmmmm let’s be conservative and say ten years?, I think I should also get new black heels. And this is where I turn to you, O internets, because I don’t like high heels (but I recognize their uses), and if there is any maker of heels who makes some I would actually like, I want to know about them.

My criteria are as follows. Each one should be footnoted with the caveat that I know I may not be able to get what I want, or at least may not be able to get all these things in one shoe. But I might as well try.

  1. Not too high of a heel. You may recall I had ankle surgery less than three months ago. My ideal would be maybe 1-1.5″; anything above 2″ is Right Out at present. And in general I prefer lower heels, because . . .
  2. Padding beneath the ball of the foot. I can and do use inserts to help with this, but it annoys me that we have an industry built around providing something I think the shoe ought to provide in the first place. I end up with a lot of foot pain if too much of my weight is on the ball of my foot for too long; it’s like my body is saying “we stopped doing this shit when you quit ballet at the age of eighteen, and aren’t going to put up with it anymore.”
  3. Arch support. Does this even exist in high-heeled shoes? If so, tell me, because my god do I need it. I have stupidly high arches, and wearing shoes that don’t support them gets painful quite fast.
  4. Allowance for a high instep. A lot of those strappy shoes put straps right across the top of my arches, which, as mentioned before, are quite high. Result: I feel like my foot’s being cut in half by my shoe. This one’s more of a stylistic thing than a characteristic I’m likely to find in a specific shoe manufacturer, but as long as I’m describing what I want, I ought to include everything.

Is there anybody who consistently makes shoes that match this description? Or even parts of this description? I could go to the store and try on shoes randomly until I find something that works, but I’d like to be more targeted in my shopping if possible. Seven years of dancing on pointe left me with an absolute lack of tolerance for badly-made or ill-fitting shoes, and a desire to avoid spending hours trying things on if at all possible.